In this important book, one of Latin America's foremost critical theorists examines the use and abuse of memory in the wake of the social and political trauma of Pinochet's Chile. Focusing on the period 1990-2015, Nelly Richard denounces the politics and aesthetics of forgetting that have underpinned both the protracted transition out of dictatorship and the denial of justice to its survivors and victims. What are the perils and social costs of a culture of forgetting? What forms do memories of injustice take in newly formed democracies? How might a history of violence and an ethics of reparation be reconciled in post-autocratic societies? In addressing these and other questions, Richard exposes the abuses of the past and the present while also attending to the residues of memory that are manifested in street protests, literature, and the media, and in artistic practices from architecture and urban design to installation and film. While cultural artifacts can be powerful devices for resistance and critique, Richard argues that they can also be complicit in reproducing and collaborating with forms of institutional and political oblivion. Both within Chile and beyond, Richard offers a trenchant critique of how authoritarian regimes and neoliberal states whittle away at memory's critical capacity. At a time of seismic political realignments in Latin America and internationally, Eruptions of Memory makes a powerful case for the ethical, political, and aesthetic value of memory.

In this important book, one of Latin America's foremost critical theorists examines the use and abuse of memory in the wake of the social and political trauma of Pinochet's Chile. Focusing on the period 1990-2015, Nelly Richard denounces the politics and aesthetics of forgetting that have underpinned both the protracted transition out of dictatorship and the denial of justice to its survivors and victims. What are the perils and social costs of a culture of forgetting? What forms do memories of injustice take in newly formed democracies? How might a history of violence and an ethics of reparation be reconciled in post-autocratic societies? In addressing these and other questions, Richard exposes the abuses of the past and the present while also attending to the residues of memory that are manifested in street protests, literature, and the media, and in artistic practices from architecture and urban design to installation and film. While cultural artifacts can be powerful devices for resistance and critique, Richard argues that they can also be complicit in reproducing and collaborating with forms of institutional and political oblivion. Both within Chile and beyond, Richard offers a trenchant critique of how authoritarian regimes and neoliberal states whittle away at memory's critical capacity. At a time of seismic political realignments in Latin America and internationally, Eruptions of Memory makes a powerful case for the ethical, political, and aesthetic value of memory.

Blood Wedding. Concerned with love that cannot become marriage among the primitive hill people of Castile, this is a play of the workings of tremendous passions and tribal ritual toward an inescapable tragic end. Yerma. “The whole tragic burden of Yerma is measured by the deepening of her struggle with the problem of frustrated motherhood.� —From García Lorca, by Edwin Honig. The House of Bernarda Alba. Again about “women whom love moves to tragedy,� Bernarda Alba tells of the repression of five daughters by a domineering mother, of how their natural spirits circumvent her but bring violence and death.

This text is contributed by well-known researchers in the field and serves as an important resource to provide scholars with up-to-date research on sexual victimization. The book approaches the concept through three separate sections Section I: Chapters 1 through 4 will address how the criminal justice system handles sexual victimization Section II: Chapters 5 through 9 will address the association between individuals in a relationship and sexual assault. Section III: Chapters 10 through 13 will address unusual and special issues associated with contemporary sexual victimization. This approach offers students and scholars a comprehensive examination of the sexual victimization issues and challenges currently facing the criminal justice system in the past and today. By discussing these issues, the theoretical explanations for these crimes and the effectiveness of the policy that has been applied will effectively link the criminological areas of theory, research and policy. At the end of each chapter several discussion questions will be provided. These questions could be assigned as homework for students or used for in-class discussions of the readings

For decades, casino gaming has been steadily increasing in popularity worldwide. Blackjack is among the most popular of the casino table games, one where astute choices of playing strategy can create an advantage for the player. RISK AND REWARD analyzes the game in depth, pinpointing not just its optimal strategies but also its financial performance, in terms of both expected cash flow and associated risk. The book begins by describing the strategies and their performance in a clear, straightforward style. The presentation is self-contained, non-mathematical, and accessible to readers at all levels of playing skill, from the novice to the blackjack expert. Careful attention is also given to simplified, but still nearly optimal strategies that are easier to use in a casino. Unlike other books in the literature the author then derives each aspect of the strategy mathematically, to justify its claim to optimality. The derivations mostly use algebra and calculus, although some require more advanced analysis detailed in supporting appendices. For easy comprehension, formulae are translated into tables and graphs through extensive computation. This book will appeal to everyone interested in blackjack: those with mathematical training intrigued by its application to this popular game as well as all players seeking to improve their performance.

Comedy / Casting: 6m, 1f / Scenery: Composite Int.

At the time of a paralyzing drought in the West we discover a girl whose father and two brothers are worried as much about her becoming an old maid as they are about their dying cattle. For the truth is, she is indeed a plain girl. The brothers try every possible scheme to marry her off, but without success. Nor is there any sign of relief from the dry heat. When suddenly from out of nowhere appears a picaresque character with a mellifluous tongue and the most grandiose notions a man could imagine. He claims to be a rainmaker. And he promises to bring rain, for $100. It's a silly idea, but the rainmaker is so refreshing and ingratiating that the family finally consent. Forthwith they begin banging on big brass drums to rattle the sky; while the rainmaker turns his magic on the girl, and persuades her that she has a very real beauty of her own. And she believes it, just as her father believes the fellow can actually bring rain. And rain does come, and so does love. An excellent play for all groups.

"Admirable skill... and] insight into the human heart.... The touch of a poet.... A hit you must see." N.Y. Mirror.